Football and freedom at World Cup 2010
“When I get older, I will be stronger, they’ll call me freedom just like a waving flag.” This is the chorus to K’naan’s anthem to the 2010 world cup – and no one who is a football fan can fail to be moved both by the sentiments and the stunning visuals set to the music, from the tear-jerking moments to the high drama to the comradeship of players and fans.
Sport is and always has been intensely political. Whether the question is how the world cup affects South Africa, especially the poorest - put to no few interviewees by white European journalists – or the fact that commentators around the world were forced to remember the Soweto uprisings through their anniversary, World Cup 2010 is no different.
Interlaced into the above song are images of Nelson Mandela’s march to freedom, set to lyrics which are quite political in context: “Give me freedom, give me fire, give me reason, take me higher”. What all this obscures is that in reality this is a marketing campaign by Coca-Cola. It is not an artist celebrating his joy at the meeting and friendship of nations through sport.
In fact there is an ‘original’ version of K’naan’s song, from his recent album, Troubadour. It contains lyrics like the following snippet:
So many wars, settling scores
Bringing us promises, leaving us poor
I heard them say, love is the way
Love is the answer, that’s what they say,
But look how they treat us, make us believers
We fight their battles, then they deceive us
Try to control us, they couldn’t hold us
Cause we just move forward like Buffalo Soldiers
It’s basically a song about racism, war, poverty and a fight against these things. Coca-Cola, on the other hand, have diluted all this content to as little as they could without basically getting rid of the song entirely. In place of the most political lyrics, there is chanting and words about football.
Marketing magazing Billboard Biz recorded that Coca Cola “loved the song but noted that lyrical references to ‘a violent prone, poor people zone’ and people ‘struggling, fighting to eat’ didn’t fit the campaign’s themes”. Despite these things all being true about the continent of Africa, which in 2010 is the centre of the vortex of wealth and media attention coat-tailing the World Cup.
I’m not saying that K’naan is somehow ‘pure’ and Coca-Cola is somehow the anti-christ, having unfairly taken this song and basically prostituted it. Even the distorted ‘celebration mix’ contains sentiments which are worthwhile. In fact what Coca-Cola have done makes perfect sense.
They have taken something liable to strike a cord with popular sympathies, diluted it to taste and then utilised it to promote a product. It’s brilliant. It’s so common we don’t even think about it these days; humour, solidarity, love – basically every human emotion and expression worth having and with general applicability is used like this.
In this case, the song is even translated into languages other than English (for which it was originally written) to give it global appeal. In short, a global corporation intent on profiteering from a cynical marketing campaign can also appear as the guardians of diversity and local identity, from a certain point of view.
Mostly this disgusts me. And yet…there’s something good to take away as well.
Outside of the West, the cry ‘give me freedom’ resounds and ruling classes tremble. Whether it’s Iran, Burma, Thailand or Greece, the basic message explicit to the original version of this song is that one day we will shake off parasitic leaders and be free – and the political actions of these countries give the force to this message.
In Western Europe, we’re all too often inclined to think that the age of a redemptive politics is dead – that we’re consigned to basically tinkering around the edges and that there is no room for a panoramic vision of change. Even the mass movements of the last thirty have contained only a minority of those people with genuine aspirations for wholesale political change.
Yet across Europe this song, which is basically about that, is getting airplay, with a message attempting to tap into a persistent sense of solidarity, of wanting to belong as an equal and wanting others to belong as equals. If these beliefs weren’t widespread and waiting for a real movement to utilise them, Coca-Cola wouldn’t bother with them.
However vacuous a gesture, whatever echoes of a Live8 style (without the advantages of raising money for charity, though minus the disadvantages of tits walking round with their armbands believing concerts change the world) it all may seem, that thought is still enough to make me smile.

Apart from cutting the odd capital project, a hefty chunk of the money the Tory government 



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